Tuesday, July 31, 2018
Lloyds Bank profits rise 23% to £3.1bn
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US mulls higher 25% tariff on $200bn of Chinese goods
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Ex-S.L. County sheriff rails against cities leaving Unified police, calls out his successor
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Man dies after crash with semitrailer in Weber County
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If convicted, teen in backpack bomb case faces up to life in prison
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US release of 3D-printed gun software blocked
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Motorcyclist critical after crash in Salt Lake City
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Curtis invites Utah tech leaders to closed meeting on net neutrality
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Girl tied to boys' deaths charged with distributing drugs in Park City
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Lawsuit: Man's soda spiked with 'heroin substitute' at Utah McDonald's
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Slow broadband needs switch-off date, say business leaders
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Eating into profits
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Farmers send livestock to slaughter early due to drought
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'I'm so sorry I was a coward that day': Man seeks parole for killing Utah trooper 25 years ago while 18
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Authorities believe heat to blame for hiker death near The Wave
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User submitted: Fire, storms and smoky sunsets
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Apple boosted by selling more expensive iPhones
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Apple boosted by selling more expensive iPhones
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'I'm Not Angry': Alan Alda Says He's Living With Parkinson's
![Actor Alan Alda, shown here in 2016, says he has been diagnosed with Parkinson](https://media.npr.org/assets/img/2018/07/31/ap_506079640326_wide-613cb913cf10a0ff67230a0a2f09060f14ef9bc6.jpg?s=600)
"It hasn't stopped my life at all. I've had a richer life than I've had up until now," the M*A*S*H actor said as he made the announcement Tuesday on CBS This Morning.
(Image credit: Evan Agostini/Evan Agostini/Invision/AP)
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Salt Lake man gets 7-year prison term for telemarketing scam
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Jaguar hit by trade war as China sales slow
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Facebook bans pages aimed at US election interference
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Amazon begins hiring process for 1,500 jobs in SLC
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Tony Shalhoub On 'Mrs. Maisel' And Questioning His Worth As An Actor
The former Monk star recently won a Tony for his role in The Band's Visit and is up for an Emmy for The Marvelous Mrs. Maisel. Despite his success, he still feels like each role could be his last.
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New Bethany Beardslee Release Heralds The Golden Age Of German And Viennese Singers
Though known for her avant-garde concert performances, the 92-year-old soprano recorded songs by 19th-century classical composers, including Schubert, Schumann and Brahms, when she was turning 60.
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New damages possible for judge in sexual-harassment case
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Tony Shalhoub On 'Mrs. Maisel' And Questioning His Worth As An Actor
The former Monk star recently won a Tony for his role in The Band's Visit and is up for an Emmy for The Marvelous Mrs. Maisel. Despite his success, he still feels like each role could be his last.
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Hundreds of Carillion apprentices lose their jobs
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Zion visitors asked to report excessive coughing by bighorns
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Facebook bans pages aimed at US election interference
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Shooting Star Pencil Toppers DIY
Could you really use a wish right now? Legend has it that if you wish upon a shooting star, your wish will come true. Make these shooting star pencils for classmates, party guests, or just a plain old rainy day activity with your kids. Then wish away!
Materials needed: Shooting Star Pencils Template, pretty colored pencils, pink, mint and blue card stock, an assortment of thin ribbons, glue, washi tape, scissors.
Step 1: Download and print out the Shooting Star Pencils Template onto assorted colored card stock. Cut out the stars.
Step 2: Cut about 8 inches of ribbons, in five different colors. Glue the ribbons in a row on the backside of the star. Let dry. Trim the ends of the ribbons if they are jagged.
Step 3: Affix the stars with washi tape to the tops of pretty patterned pencils.
Photography by Benton Collins.
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String pop trio with millions of YouTube views to perform near Zion National Park
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Why Apple's share value is touching a trillion dollars
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Wildfire updates: Middle Canyon Fire in Tooele County more than half contained
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How to Make Your Own Camera RAW Profiles for Lightroom and Camera Raw
Click the title of the article to read this post on Improve Photography, which includes all media files mentioned.
Recent updates to Adobe Lightroom came with at least one major benefit…additional camera RAW profiles. Now here's the cool part…You can create your own camera RAW profiles! And this doesn't just apply to Lightroom. If you avoid Lr like the plague and you prefer to stick with Adobe Camera RAW (ACR), good news: this applies ...
The post How to Make Your Own Camera RAW Profiles for Lightroom and Camera Raw appeared first on Improve Photography.
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Issue #7875: Through Her Eyes
In our September 2018 issue, we interview Vanessa Winship and Hellen van Meene about the genesis of their latest works, and the backstory of death and rebirth that led them in new directions. We also speak to Marina Paulenka, the artistic director of Organ Vida festival in Croatia, about the 10th anniversary edition and its focus on the female gaze.
Lucy Davies meets Winship at the Barbican Art Gallery, which is currently staging a mid-career retrospective of her work alongside Dorothea Lange. They discuss the photographer’s decision to step back from making pictures at the height of her success, and how she found her way back after the arrival of her first grandchild. “It has been a rebirth in a way,” she says, speaking about her new direction, “sort of freeing myself from the constraints of my former life. But it was also about conveying the immediacy with which my granddaughter sees the world.”
Van Meene’s new series, which goes on show in Amsterdam this September, confronts the subject of death in an inherently personal way, suggesting that it should be something we approach with greater acceptance. She is interviewed by Jörg Colberg, a close acquaintance. “I don’t know why I was surprised by how ‘Van Meene’ the photographs looked,” he says of her new series. “But of course, this all makes perfect sense. Dealing with death in this photographic way is bold and daring, but I think it pays off. It’s very affecting.”
We also preview eight photofestivals taking place across Europe in September, including Guernsey Photo Festival and Visa pour l’Image in Perpignan, South of France, each making the best of outdoor locations and the last days of summer to present spectacular installations of contemporary photography. Not least, we profile Organ Vida in Zagreb, whose focus is on the female gaze. Organ Vida and its all-female team focus on the role of photography in representing and articulating women’s experiences. Charlotte Jansen speaks to the Croatian festival’s founder and chief curator, Marina Paulenka, about how art can trigger action.
Diane Smyth remembers one of the greatest photographers of his generation, David Goldblatt, whose quietly nuanced work chronicled the everyday condition of his fellow South Africans through the dark days of apartheid, and the tumultuous years that followed. Hailed as the lodestar of South African photography, David Goldblatt has died age 87, having spent 60 years documenting the lives and landscapes of his country.
Elsewhere, Laia Abril features in Any Answers, and we continue our focus on the Class of 2018 in Projects, with our latest pick of the best photography graduates from the UK and Ireland. In our Intelligence section, Carol Monpart of The Plant is our Creative Brief, and we test the Fujifilm X-H1 camera.
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Why is Samsung's Galaxy S9 flagship struggling?
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Charges: Man faked his own kidnapping in effort to collect ransom
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Why is Samsung's Galaxy S9 flagship struggling?
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Man killed in Spanish Fork collision identified; cause of crash remains unknown
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Utah renters have rights but may have to fight for them
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Peter Fraser’s Mathematics on show in London
“The atomic structure of materials, and the influence of DNA on the appearance of people and all other living organisms, rely on the language of mathematics for their expression,” says British photographer Peter Fraser, whose new exhibition is called Mathematics. On show at the Camden Arts Centre, it’s a wide-ranging series which brings together seemingly disparate, people, objects, and landscapes, shot in various places and locations.
For Fraser they’re linked by the fact they can all be described mathematically. “I’m inviting the viewer to imagine that mathematics is the code behind everything we see in each of these images,” he says. “And therefore the encyclopaedic nature of the way the subjects jump and change around is really important, for me, to try to suggest the totality of our environment mathematics can describe.”
Born in Cardiff in 1953, Fraser was mentored by William Eggleston and emerged alongside peers such as Martin Parr and Paul Graham. Nominated for the Citygroup International Photography Prize in 2004 [the prize is now known as the Deutsche Börse Photography Foundation Prize], his work shows an ongoing interest in the everyday; Mathematics was inspired by his interest in philosophers such as Aristotle, Pythagoras, and Galileo, as well as by the contemporary physicist and cosmologist Max Tegmark, and their belief that mathematics underpins the world around us.
“To read just a few of his [Tegmark’s] points on the universe and the relationship between mathematics and the universe, I found utterly compelling,” says Fraser. “Namely, for example, Max Tegmark believes that the universe is a physical expression of mathematics, and therefore scientists and mathematicians and so on are simply archeologists uncovering the fundamental code.”
Mathematics by Peter Fraser is on show at Camden Arts Centre until 16 September www.camdenartscentre.org/whats-on/view/fraser
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Violence Leaves A Lasting Scar In 'I Didn't Talk'
![I Didn](https://media.npr.org/assets/img/2018/07/30/9780811227360_wide-bb07943a6c01b44201e05fce76d87a96bf62714b.jpg?s=600)
Brazilian author Beatriz Bracher's new novel — her first to be published in English — follows a professor who, years later, is still haunted by his arrest and torture during Brazil's dictatorship.
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Man charged in Murray Park bomb threats
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World-famous aerialist on the keys to her success
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Games Workshop annual report sees profits nearly double
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Vue cinema denies website is crashing under high demand
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9 ways to work faster in Lightroom
Click the title of the article to read this post on Improve Photography, which includes all media files mentioned.
In this article I will give you 9 tips on how to speed up working in Lightroom. Lightroom has gone through the hideously slow phase, and if you do all these things you will find, like I have, that editing in Lightroom is just fine these days. Do you want to speed up working in ...
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Commitment to help 'mortgage prisoners'
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A Look Back At Trayvon Martin's Death, And The Movement It Inspired
![A mural of Trayvon Martin is seen on the side of a building in the Sandtown neighborhood where Freddie Gray was arrested on April 30, 2015 in Baltimore.](https://media.npr.org/assets/img/2018/07/26/gettyimages-471713776_wide-18327569acb615526977b1ada5ed02768d0cfc95.jpg?s=600)
A new television series explores the 2012 killing of the 17-year-old in Sanford, Fla., and the subsequent trial that sparked the Black Lives Matter movement.
(Image credit: Andrew Burton/Getty Images)
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'The Provocative Colette' Celebrates The Power of Beauty
![The Provocative Colette, by Annie Goetzinger](https://media.npr.org/assets/img/2018/07/30/colette_wide-64a633a0d5ec6fde3efcb46bff92350763fc5a3b.jpg?s=600)
Cartoonist Annie Goetzinger's new biography of the French writer and provocateur Colette focuses on her most youthful, beautiful decades — set in a romanticized, cleaned-up version of Paris.
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RBS escapes action over controversial GRG unit
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Thousands download 3D-printed gun designs
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Thomas Cook bookings hit by heatwave
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Alexa Cast: What it is and how to use it
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TASCAM 202MKVII dual cassette deck review: A high-quality, but pricey, tool for digitizing your tape collection
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Fast fashion
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British Gas's new tariffs 'successful'
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Dixons Carphone says data breach affected 10 million
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From books to behemoth
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Uber halts development of self-driving trucks
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Monday, July 30, 2018
British Gas owner Centrica loses more customers
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Dixons Carphone admits data breach now affects 10 million
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Uber halts development of self-driving trucks
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Mike Pompeo Indo-pacific strategy: US to spend $113m in Asia
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Animal-shelter rift has police keeping strays at station
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Email scam claims to have your passwords, compromising videos
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'A new beginning': Patients plant sunflowers to raise awareness about rare cancer
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Particulate pollution increases due to regional wildfires
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911 audio captures tense moments after home break-in, fatal shooting
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Best smart speakers: Which delivers the best combination of digital assistant and audio performance?
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Unified police board needs stronger oversight of sheriff, state audit says
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Trekking to Everest: 'Challenging but rewarding!'
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Light saver
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Man arrested in Cottonwood Heights lewdness case
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UK car production hit by 'perfect storm'
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Would you quote Rick Astley in your out-of-office?
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Mother of man killed in car crash asks judge not to send driver to jail
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Charges: Man faked his own kidnapping in effort to collect ransom
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Les Moonves Remains At Helm As CBS Investigates Sexual Misconduct Allegations
![CBS CEO and Chairman Leslie Moonves arrives arrives at a promotional boxing aprty in August 2017. The 68-year-old has been accused by six women of sexual assault and harassment.](https://media.npr.org/assets/img/2018/07/30/gettyimages-839898080_wide-52371597cef94c62ee17bb49f03af15ba6049f68.jpg?s=600)
The company's board of directors decided not to take further action against the CEO and chairman as it conducts an independent investigation into sexual assault allegations against him.
(Image credit: Gabe Ginsberg/Getty Images for Showtime)
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North Salt Lake man's death was targeted killing, police say
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Trade tariffs: the winners and losers
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A breakdown of Utah’s position groups on offense ahead of fall camp
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House of Fraser offered cash injection by Mike Ashley
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Everything you need to know about the deepfake phenomenon
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After last month's false start, inland port board kicks off first meeting
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A College Discussion Leads To An Improvised Jam Session — And 'Seraphic Light'
Last year, Tufts University hosted a symposium on Art, Race and Politics, which included a panel discussion (and later a concert) with musicians Daniel Carter, Matthew Shipp and William Parker.
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Journalist Held Captive By Pirates Says Focus And Forgiveness Were Crucial
![After spending two and a half years in captivity in Somalia, it took some time for journalist Michael Scott Moore to process that he was being set free: "It happened very suddenly, and I didn](https://media.npr.org/assets/img/2018/07/30/ap_18171856523494_wide-205bfc7a6d9eeca4b42c9dc7430b1a08ba2a82c0.jpg?s=600)
After being kidnapped in Somalia, Michael Scott Moore considered suicide. Then he experienced an "incredible mental transformation" that enabled him to forgive the people who were causing him pain.
(Image credit: Chris Pizzello/AP)
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Journalist Held Captive By Pirates Says Focus And Forgiveness Were Crucial
![After spending two and a half years in captivity in Somalia, it took some time for journalist Michael Scott Moore to process that he was being set free: "It happened very suddenly, and I didn](https://media.npr.org/assets/img/2018/07/30/ap_18171856523494_wide-205bfc7a6d9eeca4b42c9dc7430b1a08ba2a82c0.jpg?s=600)
After being kidnapped in Somalia, Michael Scott Moore considered suicide. Then he experienced an "incredible mental transformation" that enabled him to forgive the people who were causing him pain.
(Image credit: Chris Pizzello/AP)
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Orrin Hatch says he's told Trump not to call press 'enemy of the people'
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Tips for finding, catching the rare golden trout in Utah
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Man killed in Spanish Fork collision identified; cause of crash remains unknown
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Farmington man's '66 Nova boasts 1000+ horsepower
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Make Your Week: Utah kids thank police officers in unique ways
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SLC resident searching for mystery man who saved home from fire
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Ryanair threatened by fresh strikes in Germany
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Live updates: Wildfire burns 100K acres, prompts evacuations in Box Elder Co
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Draper Scout rescued from Wyoming mountains, reunited with family
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Behind the seams at Max Mara
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Fractured Stories: Meet the eight finalists
The final shortlist for Fractured Stories has been decided. For this exclusive British Journal of Photography commission, supported by Ecotricity, one photographer will undertake a six week project exploring fracking across the UK.
Fracking has long been a major issue throughout the US. Although the UK has large shale gas reserves, not a single well has been fracked since a ban on the process was lifted in 2013. However, this year has seen renewed efforts by the government to encourage the development of drill test sites throughout England. On 24 July 2018 the shale gas firm Cuadrilla was given the go ahead by the UK government to begin fracking at a well in Lancashire, propelling the subject back into the spotlight.
Over the six week project period, from mid-August to the end of September 2018, the competition winner will have the opportunity to develop their own creative approach to exploring this pressing issue. Looking beyond the headlines, the resulting body of work should approach the subject from a new perspective.
The judging panel – comprising Agata Bar, editorial director of NOOR Photo Agency; Izabela Radwanska Zhang, assistant editor of British Journal of Photography; and Dale Vince, OBE, founder of Ecotricity – will now deliberate over which photographer should be selected for the commission.
Look out for an announcement of the winner, to be published on BJP’s website, in late-August.
Below, we present the final shortlist.
–
Néha Hirve
nehahirve.com. © Néha Hirve
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Jack Latham
jacklatham.com. © Jack Latham
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Rhiannon Adam
rhiannonadam.com. © Rhiannon Adam
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Sophie Gerrard
sophiegerrard.com. © Sophie Gerrard
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Sadie Catt
sadiecatt.com. © Sadie Catt
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Tadas Kazakevičius
tadaskazakevicius.com. © Tadas Kazakevičius
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Miguel Proença
miguelproenca.net. © Miguel Proença
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Toby Smith
tobysmith.com. © Toby Smith
–
Fractured Stories is a British Journal of Photography commission made possible with the generous support of Ecotricity. Please click here for more information on sponsored content funding at British Journal of Photography.
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Overwatch League: London Spitfire triumph in first final
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Where Love is Illegal by Robin Hammond
When Robin Hammond started work on his project Where Love Is Illegal, he changed his approach to photography. Shooting members of the LGBTI [lesbian, gay, bisexual, transgender and intersex] community who have faced persecution and punishment in countries in which such prejudice is enshrined in law, he relinquished much of the creative control to the sitters.
Up until then, he’d worked in the tradition of great photojournalists, committing extended periods of time to documenting stories as they unfolded in front of his lens. His acclaimed project Condemned, for example, a study of the treatment of the mentally ill in Africa, was shot over 10 years. But during his numerous trips to the continent, he had become acutely aware of the deep-rooted homophobia there.
“Wherever I went, I was surprised by how extreme the views on homosexuality were,” he says. “While working in Zimbabwe in 2008, I met human rights activists who said that if one of their friends came out of the closet, they would beat him up. In Lesotho, around the same time, I met an environmentalist who would condone violence against gays because it is a sin against God.
“Even in 2014 in, Lagos, a seemingly hospitable man, on hearing that I lived in France, felt it was his duty to explain to me that the state’s economic crisis was due to the legalisation of same-sex marriage. Unfortunately, these are not isolated incidents.”
Nor are they just words. More than 2.8 billion people worldwide live in nations in which homosexuality is criminalised and can lead to imprisonment, beatings and even the death penalty. While working on an assignment for National Geographic in Nigeria in 2014, Hammond heard of five young men who had been arrested there because of their sexual orientation. Convicted of sodomy, they were flogged in court and only narrowly escaped a death sentence.
“I managed to track them down, thanks to a few shared connections, and went to meet them,” says Hammond. “I was really touched by their stories. Though the accounts of the violence they suffered were horrible, I was profoundly affected by the discrimination they faced throughout their lives – especially from their community and family, who had ostracised them. Not only were they emotionally devastated but they also found themselves in a desperate situation with no support.”
He decided to expose the injustice, but finding the right way to do so was a challenge. For starters Hammond has a love-hate relationship with portraiture which, he’s inclined to agree with Jean- François Leroy, can be “lazy photojournalism”, as the Visa pour l’Image director declared at the festival in 2015. The 40-something photographer recalls his early days as a reporter when, shooting assignments for many British newspapers and magazines, he was given only three or four days to cover important and complex issues, often in countries he knew little about. With no time to delve into the issues in-depth, he took the quicker route – photographing the people the journalist was interviewing.
“Those who commissioned me were happy, they had pictures to illustrate their story,” he says. “But I was not. I felt like I was an illustrator when I wanted to be a storyteller. I was rarely contributing anything new, and in some cases I was merely repeating stereotypes.” In his experience, he adds, if you’re taking portraits because you don’t have the time, access or energy to discover truths or provide insights into the story, then the work “can be worse than lazy, it can lack integrity”.
And he’s also suspicious of set-up portraits shot in reportage style, arguing that they disguise what are actually photo opportunities specially arranged for the camera. “Making a picture, even a portrait, seem like it could be unscripted runs the risk of being seen as something that happened serendipitously,” he says. “That, too, is an attack on the integrity of our industry. It cheapens the work of those who have spent hours or days or years working and waiting for events to happen, uninterrupted, in front of them.”
But, for this project, he felt portraits were the only way to go, given that the discrimination LGBTI people face often leaves little visible trace. “Portraits are a great way of making abstract issues, or people who are talked about in abstract ways, real,” he says. And this approach also allowed him to directly involve the sitters, beyond simply consenting to be photographed.
“Some quarters of the LGBTI community told me they were concerned that much of the storytelling was about them, rather than by them,” he says. “With this in mind I set out to make the work a collaboration with those I was photographing, to try and have the work be, in large part, from them.”
He encouraged his subjects to write down their story and presents these narratives, unedited, next to the pictures; he also let the subjects control where and how they would be represented. In this way, he hoped to capture certain truths about them but also about questions of identity, self- representation and perception – themes dear to the LGBTI community.
Jessie, a 24-year-old transgender woman, chose to appear shrouded behind a red veil, for example, but her personality still shines through. A Palestinian, born in a Lebanese refugee camp, she surprised Hammond with her cat-like sensuality, just moments after confiding in him that her brother and father had tried to kill her on several occasions because of the “dishonour” she had brought them.
After the shoot, he asked her why she didn’t simply pretend to be a man, given the dangers she faces. She, equally shocked, said she was born a woman and would therefore die one.
“The fact remains that a portrait can never actually fully tell us who a person is,” says Hammond. “But a portrait says ‘I exist’ and ‘I am the one who has been through this’. And, most importantly, a well-made portrait – like any well- made photograph – helps us to connect to people and their situation.”
Jessie was not the only sitter who asked to conceal her identity – given the prejudice they face, enshrined in law, many others opted to hide or cover their faces, for their own safety, or to protect their families and friends. “The last thing I wanted was for them to be harmed because they had been identified,” says Hammond.
“I knew some were really afraid. Just locating them had been very difficult. Yet they had stories that really needed to be shared, so, because I really wanted them to participate, I had no choice but to let them have as much control as they needed to feel comfortable with the process. I had to do this on their terms.”
Hammond shot the project on a large format Polaroid camera and, while he initially chose it for aesthetic reasons, it turned out to be a blessing. Creating a unique, tangible print, it gave the sitter the opportunity to destroy the image if he or she felt it would endanger them, in a way that they could really trust; after all, while digital files can be erased, they can also be recovered later on.
In about a third of the 65 images in Where Love Is Illegal, the subject’s face is obscured, but Hammond argues that they are just as revealing as the full-face shots, and may even show more. By covering the faces, these images are showing another aspect of the sitters’ reality – namely, their fear of retaliation.
Buje, for example, who adopted a pseudonym for the project and peers with one eye from behind his hand, was taken to sharia court in 2013 and held in jail for 40 days where he was beaten with electrical cords. When he confessed to committing homosexual acts, he was lashed 15 times with a horsewhip. He only avoided the death penalty because such sentencing requires the testimony of four witnesses. So while his piercing gaze forces the onlooker to acknowledge him, his hand shelters him and acts a reminder of the danger he’s still in.
“Is a face really who the person is?” ponders Hammond. “Not showing it certainly provides a challenge, as we identify people primarily through their facial features. But do we really know them because of those traits? Perhaps it might tell us about their age, describe something about their culture, or tell us of their emotional state. However, all of these can also be discovered through other elements.”
For example, the love between Ugandan lesbian couple J and Q is no less palpable because their expressions are obscured, nor is the fear that haunts Ratib, a gay Syrian man beaten by the police. The decapitation threats that M faced in Syria are evoked through the knife placed under his chin.
“The covering of Wolfheart’s eyes suggests not only what happened to him but also that ‘his kind’ should not be seen,” comments Hammond. “If we believe that the gaze allows us to connect with one another, the blindfold can be seen as removing his ability to make those connections deemed immoral in that society.
“Some of the most powerful images, in my opinion, do two things. On the one hand, they humanise an issue by having you connect to an individual. On the other, they render them a symbol of the wider situation. The power of the covered face is that it creates just enough anonymity for the sitter to be anyone – even you or me – and speaks of the wider issue. The best photography in my sense is connecting people who wouldn’t otherwise meet. If we do our job right, the barriers of race, distance and culture are broken down.”
To give the project breadth, the Paris-based photographer travelled to seven countries in which the LGBTI community is denied basic rights. He also created an online platform where others from all walks of life, anywhere in the world, can share their stories. Helping raise awareness of the issue and collecting funds to support local NGOs, Hammond hopes the site will create a sense of global community and provide practical aid on the ground. In 2015 he managed to raise enough money to pay bail, legal fees and rent for four Nigerians accused of sodomy, via tens of thousands of followers on Instagram and Facebook.
“Discrimination thrives in environments where those discriminated against are being silenced. Bigoted views are held as truths unless and until they are challenged,” Hammond says. “So it is my responsibility, and the moral obligation of all of us who have the privilege to speak out, to be activists for those who are being muzzled. We, as humans, are responsible for one another.”
www.whereloveisillegal.com Where Love is Illegal is on show at f³ – freiraum für fotografie until 02 September http://fhochdrei.org/ This article was first published in the December 2015 issue of BJP
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