There’s a massive hole in 2020. A blind spot, if you will. Next fall, new consoles arrive. That doesn’t affect us much on the PC side, but it does mean everyone’s playing cards close to their chest at the moment. Holding onto surprises. Keeping quiet about quite possibly the biggest games of 2020.
So as we look towards the coming year, keep in mind we’re only seeing half the picture—if that.
And yet it’s still pretty damn impressive, with Cyberpunk 2077, Doom Eternal, and Dying Light II headlining one of the most packed spring lineups I’ve ever seen. Oh, and lest we forget, there’s a new Half-Life game releasing in March.
This week, we're listening back to some favorite Fresh Air interviews from the past decade. The bandleader for The Late Show with Stephen Colbert let loose at the piano during this 2018 interview.
from Fresh Air : NPR https://ift.tt/2tgVgP0
via IFTTT
This week, we're listening back to some favorite Fresh Air interviews from the past decade. Russell sang tracks from her solo album, Strictly Romancin', during this 2012 interview and performance.
from Fresh Air : NPR https://ift.tt/2QcV6RI
via IFTTT
This week, we're listening back to some favorite Fresh Air interviews from the past decade. The Durham, N.C.-based trio showcased their African American string music — with a modern twist — in '10.
from Fresh Air : NPR https://ift.tt/2MJ4BpG
via IFTTT
We begin our 167th year with a special issue devoted to the Barbican Art Gallery’s forthcoming blockbuster exhibition, Masculinities. Opening with a discussion with the show’s curator, Alona Pardo, we introduce six contributing photographers from the exhibition. Now available in the BJP shop, the issue considers how masculinity has been coded, performed, and socially constructed from the 1960s to the present day.
Growing up in the febrile atmosphere of manliness following Israel’s Six-Day War, Adi Nes never felt he quite fitted in until he joined the IDF, embraced his sexuality and went to art college. His subsequent series is an attempt to “challenge stereotypical masculine imagery” and “allow my subjects to be sensitive”.
Granted access to the elite London gentlemen’s clubs of the early 1980s, Karen Knorr exposes the power, privilege and patriarchy that continues to shape society today. Elsewhere, Sunil Gupta captures the flourishing of gay pride in the years following the Stonewall riots, the same year that the artist himself went through a journey of self-discovery.
If her images appear unsettling, that’s our own hang-up, says Aneta Bartos, who photographed herself with her ageing father, a bodybuilder who was much more than a masculine archetype. Adopting a variety of guises and costumes, Samuel Fosso has spent a lifetime subverting cultural stereotypes with his performative self-portraits. Plus Hans Eijkelboom explores the notion of the perfect man in his series inspired by the desires of women.
In Agenda, we speak to Laia Abril who shares the harrowing reality that led to the second chapter of her fascinating work, A History of Misogyny: Chapter Two – On Rape. Plus, a new book and exhibition showing Henry Moore side by side with Bill Brandt plots the parallel careers of the two eminent British artists. Our Any Answers this month is Michael Stipe, who was a photographer long before he became the frontman of rock band REM.
This month’s projects look at the veracity of historical objects, in Giulia Parlato’s Diachronicles, and outdated archetypes in Alabama in Belle, by Cocoa Laney. Elsewhere, Damien Demolder test-drives the new, mirrorless SL2 from Leica.
—
Purchase the latest issue from the BJP shop, or join 1854 Full Access, where members receive each issue with a unique collectable cover every month, or1854 Digital Access that offers the magazine ad-free on tablet and iPad.
from British Journal of Photography https://ift.tt/2rPrn84
via IFTTT
